By Pierre Destrée, Penelope Murray
The first of its style, A better half to old Aesthetics provides a synoptic view of the humanities, which crosses conventional barriers and explores the classy adventure of the ancients throughout more than a few media—oral, aural, visible, and literary.
- Investigates the various ways that the humanities have been skilled and conceptualized within the historic world
- Explores the cultured event of the ancients throughout a variety of media, treating literary, oral, aural, and visible arts jointly in one volume
- Presents an built-in viewpoint at the significant subject matters of historical aesthetics which demanding situations conventional demarcations
- Raises questions about the similarities and adjustments among historical and smooth methods of wondering where of paintings in society
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Additional info for A Companion to Ancient Aesthetics
Again, our ideas about aesthetic choices and values would be far better informed had we access to more precise factual information. What we might glean from the foregoing is a sense that the polis in the Classical period sought a balance between epichoric religious correctness – hence the restrictions on participation in the dithyramb for the god Dionysos – and Panhellenic entertainment. The latter led to a growing recognition of professionalization among actors, and a desire to offer only top‐grade productions.
Martin reference highlighted the rod (rhabdos) carried by rhapsodic performers (another ancient etymology of “rhapsode” being “rod‐singer”). Further traces of competition emerge from the Contest of Homer and Hesiod (also called the Certamen). This melange of prose and poetry dates, in its current form, to Hadrian’s time (second century ad), but stemmed from the sixth century bc (Richardson 1981). It provides fascinating views of competition and judging. ) The rivals engage in virtuoso manipulations – capping each other’s verses, using curve‐ball enjambment to change the meaning of dueling quotations, opposing one another’s themes – that can be paralleled in Archaic and Classical poetry (Collins 2004).
2007. Singing for the Gods: Performances of Myth and Ritual in Archaic and Classical Greece. Oxford: Oxford University Press. Larmour, D. 1999. Stage and Stadium. Drama and Athletics in Ancient Greece. Hildesheim: Weidmann. Le Ven, P. 2010. ” Rudiae 22: 679–692. B. 1985. ” In Figueira and Nagy, 176–196. Ma, J. 2007. ” In Wilson, 215–245. Manieri, A. 2009. Agoni poetico‐musicali nella Grecia antica, Vol. I (Beozia). Pisa: Fabrizio Serra. Martin, J. 1931. Symposion: die Geschichte einer literarischen Form.
A Companion to Ancient Aesthetics by Pierre Destrée, Penelope Murray